Overdrawn [Progression LitRPG]
79 - The Filed Mark
The Ward Four invoice ran to nine pages and Kalen had been on the fourth of them since the fourth bell.
Wick had the other half at the far end of the bench with the lamp between them. He went down his column with the pencil in his left hand and the page held flat under his forearm, which is how you hold a page down when you have one hand and no intention of discussing it.
"Page six," he said. "The line you want is still on page six."
"Read it out."
"Variance. Disposition. Receiving two."
W4 / LEVY / VARIANCE ......... 2.9 [carried, 1031]
W4 / VARIANCE / DISPOSITION .. RECEIVING 2
"It is not a name," Kalen said.
"You told Sabra it was a name."
"I told Sabra there was writing on it."
"That is not what you said in the yard."
"No." Kalen put his thumb on the page and moved it along. "I have been looking at a blank line since the spring. There is a figure on that one, and I called it a name because I wanted it to be one."
"It is still more than we had on Thursday."
"It is where the money goes. It is not who has got it."
Wick turned the pencil over and used the blunt end on the column, which he does when he is thinking and has been told twice about.
"Then what do you want with the other eight pages?"
"I want the other eight pages."
"That is not an answer."
"It is the whole of the answer." Kalen turned page four round on the bench. "There are nine pages here and I have read four. The useful thing in a packet is never on the page with the interesting line on it."
"Why not."
"Because nobody hides anything. They print it, and they staple it to the back of a form, and nobody in Kentra ever gets past the front." He straightened the corner. "Somebody read page four of a ward renewal in this shed and found the grease on it, and it was not me."
"That was Nessa."
"That was Nessa, on page four, at that table."
Wick let that go and went back down his column.
Page four was the certification.
Every piece of stock the crew had touched in three weeks of somebody else's ward had come off a floor with a mark on it. A Chartered contract will not let a marked thing out of a yard uncertified. So somebody at the Sedge Counting House had printed a schedule, and somebody else had put a tick against forty-one lines of it, and Kalen had signed the foot of it on a barrow in the rain without reading one word, because it was a form and there was Crown-grade racking behind him waiting to come apart.
He read it now. He was going to read all nine pages, and he had got to the hour of the evening where reading anything at all was better than looking at page six.
SCHEDULE OF RETIRED WARD DESIGNATIONS
Ward Five .............. retired 1121
Ward Seventeen ......... retired 1193
Ward Twenty-One ........ retired 1188
Ward Twenty-Six ........ retired 1199
Marks, stamps and warrants of a retired
designation are void. Tools bearing them
may not lawfully be held or worked.
Six lines and a rule under them, in the small print they keep for the parts nobody argues with.
"What is a retired designation," Wick said.
"A ward that has stopped."
"Stopped what?"
"Stopped being a ward."
"Wards do not stop."
"Six of them have."
"Since when."
"Since ten hundred and something. There are dates against all six and the newest one is five years old." Kalen read the rule again, and then read it a third time. "I have signed that page four times this year and I could not have told you a word of what was on it."
"Nobody reads a certification."
"Nobody reads a certification," Kalen said. "That is a sentence about me and I would rather have it in my own mouth than yours."
Sabra came down the shed at about the eighth bell with the pipe going and stood off the bench the way she stands off work.
"You are on the invoice," she said.
"I am on the invoice."
"The invoice was cleared on Thursday."
"The invoice was cleared on Thursday and there is a certification schedule stapled to the back of it." He turned it round so she could follow. "Ward Five. Ward Seventeen. Ward Twenty-One. Ward Twenty-Six. It says a tool carrying one of those marks may not lawfully be held."
Unauthorized duplication: this tale has been taken without consent. Report sightings.
Sabra looked at it for about as long as it takes to read six lines, which was longer than she needed.
"A scrap rule," she said.
"Say it properly."
"A mark is a warrant. A warrant stands on a ward. No ward, no warrant." She took the pipe out. "The Accord will not carry a mark with nothing behind it, and neither will a guild."
"And if one comes in?"
"You enter it and it goes for metal. I have done it twice in nineteen years and both times it was a saw."
"Nobody has ever told me that."
"Nobody has ever brought you one."
"Sabra."
"It is a page of the guild book that costs this trade about a tool a year," she said. "If it cost us a hundred you would have had it at fifteen off a Third Hand in a yard."
She went up the shed toward the door.
"Sabra."
"Go on."
"Have you ever seen a mark filed off a tool?"
Sabra stopped where she was and did not turn round for a second.
"Twice," she said.
"Whose."
"A thief's, both times." She had the pipe in her hand and did not put it back. "That is what a filed mark means in this trade and it has meant it for four hundred years. A man takes a mark off because the mark says where the tool came from, and he does not want anybody knowing where the tool came from."
"That is the only reason."
"That is the only reason anybody has ever put to me."
"Is it the only one there is?"
"Ask me a cheaper one," Sabra said, and went out.
She did not ask him what he intended to do about any of it, because she has four years of evidence about what he intends to do about anything.
Kalen sat where he was.
Then he got up and went and took the roll off the peg without having decided to, and came back, and put it on the sacking and opened it out.
* * *
Three hooks, longest to shortest, in the order his father had kept them. That was not the order they were made in. It was the order they were worn in.
"Go home," he said.
"It is not the ninth."
"Go home, Wick."
"There are four pages left and you cannot turn one and hold the lamp."
"I can turn a page."
"You can turn a page in about eleven seconds." Wick had not moved off the stool. "Is it the hooks."
"Go home."
The boy looked at the roll on the sacking for about a second and a half. Then he got his coat off the nail with his left hand, one-handed, the way he does it now, and went out, and did not say goodnight, which was the single most useful thing anybody did for Kalen Ashgrove that week.
He turned the shortest hook over and held it under the lamp.
There was a flat on the tang about the size of a thumbnail. He had known it was there since he was eight. He had assumed wear at nine, and had stopped assuming anything at ten, and had written the hooks near the top of a list of things he did not understand, and had then gone on using them every working day of his working life without once putting a glass on that flat.
He put a glass on it.
Wear comes off a tool the way water comes off a roof. Everywhere, at once, and worst where the hand goes. The tang of a draw-hook is not where the hand goes, and there was a flat on this one, and there was a flat in the same place on the other two. Round each of them the steel was as it had left the smith. Inside them the file had gone one way at a slight angle, with the sort of patience a man brings to a job he intends nobody to look at twice.
It was not wear.
Kalen turned the lamp down until the light came across the tang instead of onto it, and set the hook in the jig, and did what he is for.
A punch does not take metal away. It puts it somewhere else.
You can file off a mark and you cannot file off what the mark did to the grain underneath it. The grain does not forget. It is not a trick and it is not in any book, and there is no rule in the trade about reading one, because in nine hundred years nobody in the trade has ever wanted to.
It took him an hour and ten minutes to get the first of it.
The ward punch came up before the name, because a ward punch goes in deep and goes in first. A square with the bar across it and the count cut into the bar, right to left, the way you read anything. He had it at seventeen before he had the whole of it, the way you know a word off three letters, and then he sat back off the bench and did not finish it for about a minute.
Then he finished it.
Lowe, H. Toolmaker. Hooks and drifts. Ward Seventeen.
He did the other two in twenty minutes, because he knew the shape now and a shape you know is four minutes of work. Then he went to the jig itself, where the two dead ones are bolted, one broken under his own weight on a tray case and one walked out of true by old iron in the tang, and he read those where they sat, because he was not taking his own bench apart at the ninth bell.
Five for five. Same maker, same ward, same file, same angle.
Corun Ashgrove had come by five hooks made in a ward that was going to stop existing. On some evening after it stopped he had sat down with a fine file and a lamp and taken the mark off all five of them, one at a time, doing it well. Then he had rolled them up and gone back to work.
He had not told anybody.
He had been asked directly, once, by a boy of eleven on the step of the rope-walk with the roll open across his knees, and he had turned the hook over twice and given it back and asked a better question. The boy had taken the better question and walked home with it and never gone back to the first one.
Kalen sat with his hands flat on the bench for a while.
Then he wrote the mark down before he wrote anything else, which is backwards, and which he does every time.
He got up and put it on the shed board with the rest of them, in its place, in his own charcoal, in a hand he has been improving for four years. Eleven hundred marks off scrap and dead men's gear, and about four hundred he can read. This was the only one on that board he had taken off a tool he already owned.
The Accord had nothing to say about any of it. It never has. He let the sheet come up on the bench with the lamp down and it printed what it has printed since the ninth night of a foundry contract, unedited, in the same flat little hand.
PATTERN: Steady (Common)
Held in: three draw-hooks, ash and iron, marks filed flat
Draw: Ward, slight
The held thing does not drift.
These were my father's. I have three left. K. Ashgrove
Marks filed flat. He had read that line four hundred times and had taken it every time for a description of a condition.
Line two thousand nine hundred and fifty-five.
It had moved fifty-five on the Thursday, when the Ward Four invoice cleared. It had not moved one mark since the fourth bell. It was not going to, either. Nothing that had happened at that bench in the last two hours was a service to anybody.
* * *
He went back to the invoice, because there were four pages left and because he was not going to sleep.
Page seven was carriage. Page eight was the ward's countersign and a clerk's initials. Page nine was a schedule of works on the receiving line for the quarter that had just closed, printed and sent because Ward Four sits on that line, and because a Chartered house posts its holder the whole page rather than take a knife to it.
Eleven entries. He went down them with the pencil, and then he went back up them.
ORDER OF CLEARANCE
Ward Seventeen. Population entered at nil.
Bound property to be reclaimed to standard.
Manifest to be filed at the gate.
The designation is retired.
Eleven years ago. The same year they bricked up the dock at the end of this yard.
He read the order twice. Then he went back up the page to the quarter's works, and there it was in the ninth line, entered and assessed and countersigned, the way a thing is entered when nobody has ever had a reason to stop entering it.
Ward Seventeen had been cleared eleven years ago.
Ward Seventeen was still paying.
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