I Rebuilt FGO as a Tower Defense Game

Chapter 92 Accompanied by melodious yet heavy orchestral music

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To accommodate those casual viewers who were attracted by the god-tier PV but had never played "FGO," the animation didn't awkwardly cut straight into battle. Instead, it used a grand buildup with a cinematic texture as the opening.

Accompanied by melodious yet heavy orchestral music, the scene slowly cut from the snow-covered Chaldea base to the Central Control Room.

In front of the holographic screens, the expressions of Dr. Roman and Da Vinci were extremely solemn.

With concise dialogue, they conveyed the suffocating pressure of this mission to the protagonist Fujimaru Ritsuka and Mash, as well as to the audience across the internet:

"Ritsuka, Mash. This is the final Singularity. Once we repair this place, we will obtain the final qualification to face the mastermind behind the 'Incineration of Humanity' and save human history."

"But the coordinates this time are unlike any before. 2655 BC, Mesopotamia."

"That is not an era of humans, but the [Age of Gods] where gods still walk the earth! It is the Absolute Singularity where the foundation of human history is at its weakest and most perilous!"

The brief two-minute narrative buildup instantly pushed the sense of epic scale and crisis on the eve of the grand finale to the maximum.

Non-player audiences, who were originally worried they wouldn't understand the setting, were instantly captivated by this grand and desperate worldview. The bullet comments were full of amazement:

"This worldview setting is way too grand! Traveling back in time to change the past just to save human history?"

"The final Singularity! That means this is the last battle before the final showdown! So hype!"

"The production team understands it too well; this narrative pacing is perfect. Casuals can dive in with zero obstacles!"

After explaining the heavy background, the plot's pace suddenly accelerated.

Accompanied by the mechanical female voice of the system saying "Rayshift," the moment the screen lit up, it was a heart-pounding first-person perspective of a high-altitude fall.

The protagonists Fujimaru Ritsuka and Mash passed through a dazzling light and fell heavily into a vast, boundless ancient Mesopotamian wilderness.

The movie-level lighting rendering and the magnificent ancient landscape made the originally noisy bullet comment section go silent for a second, before being filled with exclamation marks across the screen:

"Holy crap, this background art! Every frame can be screenshotted and used as a wallpaper!"

"The smell of burning budget! Father Gu really poured all the money he earned into the animation!"

However, the audience wasn't given any time to marvel before a crisis descended.

Accompanied by a violent tremor of the earth, at the end of the horizon, a dark tide of demonic beasts surged forward like a bursting tsunami.

Those massive demonic beasts with lion bodies and snake tails let out earth-shaking roars, exuding a savage pressure of the Age of Gods even through the screen.

Mash gritted her teeth and raised her cross shield, but she appeared precarious in the face of that endless tide of demonic beasts.

"Oh my god! Starting on Hell difficulty?!"

"There are too many of them; Kouhai-chan can't block them all by herself!"

The viewers in the livestream couldn't help but break into a cold sweat.

Just as a hideous demonic beast opened its bloody maw and was about to pounce on the Master at the critical moment...

The sky-shattering orchestral soundtrack roared to life!

In the sky, accompanied by the crisp sound of clashing metal, a beautiful figure with emerald-green long hair and an ambiguous gender descended from the heavens like a savior.

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