Harem Apocalypse: Every Moan Levels Us Up!
Chapter 405: That Wasn’t Supposed to Happen.
[ Your ability to foresee possible outcomes is resetting in two minutes. ]
Two minutes.
I ran it against what I was watching and the arithmetic came back the way it always comes back when it doesn't matter anymore.
In the dream all three of them were dead inside half a minute.
I pushed everything into my eyes and took the street apart detail by detail, hunting for anything that had moved since the last time I'd seen it.
The stutter of the lamps. The angle of Becky's shoulders. The gap between May's hand and Sherry's wrist. The empty stretch of asphalt on the right-hand.
What can I do?
"Is everything okay?" Azure, from behind me.
I didn't answer. I had both hands on the bars and my face almost against the glass and nothing else in the world existed. The iron printed its lattice into my palms. My breath fogged a small coin of the pane and vanished.
Becky stood waiting with her feet planted, buying seconds for two women running away from her. Chin up. Hands open. The exact posture from the vision.
The street lamps started going out and coming back faster now, a stutter running up the road toward her, and I knew exactly what that meant. Light collapsing in sequence. Dark pooling at her heels. The city erasing the ground under her one pool at a time.
My eyes kept moving. Kept counting.
He'll be through her in seconds. That's what happened. That is exactly what happened.
So what's different?
That was the question. That was the only question worth anything, because the vision had shown me a thing that hadn't come true yet and something in the picture had already changed.
The thing holding me.
In the dream it had been webs. Thick, layered across my chest and my arms and my face, and I'd torn at them and got nowhere — every pull taking up slack, every strand holding.
These were bars.
My mind went through it the way it used to out on the plain, taking a half second and opening it up until there was room to think inside it.
Webs. The only man I've ever seen throw a web like that is lying in a corridor one floor below me with his throat opened.
He died too early to be the one holding me.
So the vision was wrong. Or it was never fixed.
I looked again.
The lamps stuttering. Becky's shoulders set. The two of them still running — May's grip visible even from this height, Sherry's hair flashing once under a lamp that hadn't died yet.
What else is different?
And I found it.
The infected on the far side of the road. A line of them, moving left, chasing the mass — empty faces, wrong patience, drawn by the noise and the living and the open front of the building. Bodies in the pools of dark where the lamps had already failed.
They weren't in the dream. Not one of them. That street had been empty.
Something's already changed.
This isn't the same night. It's close enough to frighten me and it isn't the same night.
Becky put her palm flat on the ground.
The asphalt came up in a wave — paper and grit and road lifting toward the empty street in front of her, a ridge of broken surface rising as if the street itself had decided to stand between her and whatever was coming. Dust hung in the stuttering light. The sound of it reached the glass as a low continuous tear.
Too late.
The black mist was already on her — a tear in the air, smoke without fire, the specific wrong of something arriving from a place that wasn't the street.
Vince came through it with his hair dyed purple and his hand going straight for her throat. Mute's face. The same empty patience he had worn in the elevator with no heartbeat in his chest. The hand that had closed on nothing and still left a bruise.
"RUN."
I shouted it through a sealed window two floors up and it meant nothing to anybody. The glass took the word and gave nothing back. My palms went white on the bars.
She saw him. She reached back for the sword across her shoulders — the motion clean, practised, faster than I knew she was — and the blade cleared the scabbard in a single bright arc under the dying lamps, and she was still too slow by a long way.
His hand came up and in.
Inches.
The gap between his fingers and her throat closed to a distance that had no room left in it for a sword or a wave of asphalt or a shout from a window.
And something stopped him mid-motion.
The black smoke tore sideways and he went with it, fighting it the whole way — shoulders twisting, feet dragging for purchase on the road, everything in his body straining against something that had him and wasn't letting go. I watched him lose.
The purple hair whipped once. The hand that had been inches from Becky's throat opened on empty air.
Then a force put him down the road.
He went back along the asphalt like something kicked, sliding, jacket shredding against the grit, and every lamp he passed under steadied as he went — the stutter breaking, the yellow holding, a run of light reasserting itself in his wake as if the street had been waiting for him to leave before it would stay lit.
He stopped sixty feet from where he'd started.
A dark shape on the asphalt. Still. Then moving — one hand finding the road, the body deciding whether to rise.
Becky hadn't moved. The sword was still up. The asphalt ridge she had raised sat half-formed in front of her boots, dust still settling through the renewed light.
Sherry had gone down looking back over her shoulder — knees on the road, one hand still stretched toward Becky — and May was already hauling her up by the arm, the grip hard enough that Sherry's shoulder lifted before her feet found the ground.
She's doing exactly what I asked her to do.
Stay with Sherry. Whatever happens, stay with Sherry.
My eyes went left, hunting whatever had just taken Vincent Vale off his feet and thrown him down a street like a boy.
I found him.
Not running. Not hurrying at any point.
Walking toward them.
Blond hair. The same composed face that had watched a man come apart on a roof. The radio unit nowhere in sight. The platform and the microphone and the crowd he had called left behind him in a square that was still screaming.
Max Donman.
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